Close-Up (Mar-Dec 1933)

Record Details:

Title:
Close-Up
Date:
Mar-Dec 1933
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000126
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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114 CLOSE UP "The First Right of Children" (From the Diary of a Woman-doctor), a Deutsches-Lichtspiel Svndikat Film. " Le premier droit de V enfant " (tire du Journal d'une dcctoresse) un film Deutsches-Lichtspiel Syndikat. essence of the question ostensibly in dispute is an altogether subsidiary matter. Therefore, the conviction of Clyde, even if essentially deserved in virtue of the part which he essentially played in the affair (which does not interest any one) would, if he were technically innocent, be regarded in America as something monstrous, as a judicial murder. Such is the shallow, but transparent and unshakable psychology of the American, which accompanies him everywhere. It was not from books that I had become familiar with this side of the American character . . . Therefore it was essential to develop this scene with the boat into an indisputably clear proof of TECHNICAL innocence. Without, how ever, in anv way w hitewashing Clyde or acquitting him of blame. The following treatment was adopted : Clyde wants to murder the S'irl but he cannot.