Close-Up (Mar-Dec 1933)

Record Details:

Title:
Close-Up
Date:
Mar-Dec 1933
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000138
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Global Cinema, Switzerland, and Early Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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126 CLOSE UP " Prague Castle," a film by A. Hackenschmied. " Chateau de Prague," film de A. Hackenschmied. Bartas, is preparing a new film of the same kind, having for its theme Sea and TP inter. Jan Kucera is responsible for the direction of the other two shorts. His Burlesque is a film of no action, its chief purpose being to show the rhythmic continuity of shapes of things. Beginning with a scene of mechanical character, made by a trick, the curve of shape dramaticism is graduallv enhanced and culminates in the mass-scenes where men are in utmost violent movement (these are the war-scenes). Then follows again calmness either in the continuity of scenes or in their content. The pure visual impression of this film is emphasized by music of Miroslav Pone. Burlesque has a length of only 300 metres. Kucera's second film Construction, depicts the development of the construction of a twelve storey building in Prague. In collaboration with architects K. Honzi'k and J. Havicek, Kucera endeavours to show in this film the new methods of modern architecture, to express the stir during the construction and the progress of work from architects' plans to the monu