Close Up (Mar-Dec 1933)

Record Details:

Title:
Close Up
Date:
Mar-Dec 1933
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000166
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Global Cinema, Switzerland, and Early Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
November 07, 2023
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154 CLOSE UP The Garden Fantastique _of the Fine Arts Theatre, Boston. Decorations by Erica Karawina. Photo : Herbert F. Lang. Le jardin fantastique da Theatre des Beaux-Arts de Boston. Decoration d'Erica Karauina. Photos : Herbert F. Lang. SOMETHING NEW IN THE MOTION PICTURE THEATRE What's in a name? How many times we hear that question and how often the answer is, " Oh nothing, just sounds well." This is particularly true of the jewels bestowed on motion picture houses — the Metropolitan, the Paramount, the Cameo. They are high sounding but there is no idea behind them. Such is not the case with Boston's Fine Arts Theatre, however, for it is not only just what the name implies, but it does everything to magnify this ... it ties up the Fine Arts in no spasmodic fashion but day after day in unusual ways that even go so far as to attract world wide attention. It .started first of all as a Theatre Intime showing the very best of the foreign