Close Up (Mar-Dec 1933)

Record Details:

Title:
Close Up
Date:
Mar-Dec 1933
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000252
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
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234 CLOSE UP a complete emotional image from these moments is undertaken by the editing and cutting. The film " actor " can resort to any means he pleases to provoke in himself a genuine given mood or reaction, and he need no longer bother to memorise it and fix it for subsequent manifold reproduction. In film a man can, first and foremost, be as free as he pleases from the conventions imposed by the technical basis of the stage. He can be entirely realistic. He is free from the necessity of " acting " ; or " reincarnating," absolutely indispensable upon the stage. He does not need the complicated special training necessary for the stage actor. To be fit for film, a man needs only that the internal and external characteristics of his real life personality shall be distinct and expressive. All the rest is the job of the camera and the cutting. An historical photograph from the Paramount News Reel of "Broadway Limited " and " Royal Scot " on their way to the Chicago World Fair. Cliche historique, pris du "Paramount News Reel," de " Broadzvay Limited " et " Royal Scot " en route pour le " Chicago World Fair."