Close Up (Mar-Dec 1933)

Record Details:

Title:
Close Up
Date:
Mar-Dec 1933
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000283
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Global Cinema, Switzerland, and Early Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
November 07, 2023
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CLOSE UP 265 advantage over the Williamson pictures, and Dr. Beebe's — the activity of the creatures is recorded under characteristic conditions, not under the stimulus of excitement or at temperatures inimical to them. It might be added, however, that photography, like the lie-detector of the criminal court, reveals agitation which the eye fails to see — especially evident in Dr. Ditmars' horned toads when touched, in Captain Osborne's invaluable tuateras, and the Carveth Wells newly hatched turned-over turtle. To say that Dr. J. Sibley Watson has completed the filming oiLot in Sodom on which he has been working for some years, with Mrs. Watson in a principal role and music by Louis Siegel Rochester composer — is by this time not a violation of secrecy. Mr. Herbert Ives' most recent demonstration of his depth movie-device is also an item in American progress : photographing an object as seen in a curved mirror and recording it on a sensitized plate with convex ridges from top to bottom, back and front. Marianne Moore. Lot in Sodom." (See next page).