Close-Up (Mar-Dec 1933)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Since it is inspired by the awakening of a new Asiatic mentality, a mentality that has passed from apathy into self-consciousness A Nation Awakes has a natural strength and a simplicity of purpose which has some of the emotional appeal of the early Russians. In his choice of natural types and even more in his symbolism Muhsin shows the influence of Goskino; but he lacks the emotional conviction of Eisenstein or Pudovkin and his symbols, the bored ministers of the Sultan, the ornate uniforms, the headless diplomats and the Sultan's carriage are catalogued with thoroughness rather than edited dynamically while Muhsin's chief fault is his inclination to elaborate incidents which have little that is either filmic or dramatic in their essence thus destroying the rythmic flow of the film. Occasionally old documentary material, shot during the war, has been cut in with good effect.