Close Up (Oct 1920 - Sep 1923)

Page scan 000186 from Close Up

Record Details:

Title:
Close Up
Date:
Oct 1920 - Sep 1923
Volume:
Close-Up (1920, 1921, 1922, 1923)
Leaf #:
000186
Language:
English
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

4 .... Flicker ings From Flickerland.... SUPERBA— Although Nobel Hearn, the handsome and versatile manager, didn’t have the opportunity of presenting “Under Two Flags,” still he has been able to jog along, doing a splendid business, with the stereotyped program pictures. Probably his lobby displays have had a great deal to do with his success here, nor must we forget that he has a very able assistant in the courtly person of Jack Howard. “The Long Chance” didn’t reach expectations, but when the “KENTUCKY DERBY,” King Baggot's production, reaches here, you are going to see the dj^ed-in-the-wool congested lines in front which used to be the proverbial thing when Nobel Hearn managed this theatre before his departure for the northern cities. CINDERELLA ROOF— Herb Wiedoff’s clever orchestra rendering the latest hits continue to please. Any special nights, such as publicity stunts for stars, do not increase the popularity of this Roof or put more money in the box office. COCOANUT GROVE— On Monday night, October 16, this high-brow dance palace of Los Angeles increased the cover charge $1.00 or so, and is featuring Gorham’s Follies, with Doris Eaton, direct from the Ziegfeld Follies, and Abe Lyman’s orchestra. THE LITTLE CLUB— After almost a vain struggle for existence, this place is now under the leadership of a clever hostess. The food and service here are first-class, but the enthusiasm of the patrons is not up to the mark. Flarry Seymore sings a number of songs. It might seem better to some to see less of Seymore. THE SHIP — Jerry O’Connell has caused L. A. night prowlers to scrub decks with patent leather shoes and satin slippers to the tune of a lively orchestra which is now drawing the expensive limousines towards this unique cafe. WEISS & KLEIN — This Kosher restaurant is still doing a stupendous business — so much so, that they are hardly able to take care of the “regulars,” but it is very evident that the place is prospering; for how otherwise can we account for Joe Weiss buying an up-to-date apartment house and running it a la aristocrat in the heart of the apartment house district? Of course, he will not allow dogs, nor children, but still he loves them both, which is very evident from the numerous little newsboys who patronize this famous Hungarian palace of chopped liver and schmaltz, selling their papers. WINTER GARDEN — “The Satires of Spring Street” is in every sense of the word a satire, but it is not a product worthy of being classed as a revue. In the days when Grover Frankie presented the public with his 1922 Revue, it was customary to pack this place. The only bright light in this cafe is the continued presence of Bert Fiske and his melodious orchestra. PALAIS ROYALE— Back and forth, that’s going to be the season for Fanchon and Marco, who are now playing at the Orpheum. They will try to entertain at this cafe between their duties at the theatre. We only hope that the cover charges will not be increased, or price of food advanced, which is the usual thing when some attraction enters this cafe. Harry Halstead’s orchestra is still the prime attraction — no matter what else enters as a supplementary feature. PLANTATION — Due to the fact that this high-priced eating habitat and dance palace, outside of the city limits, has had numerous disastrous raids, causing wealthy patrons to spend a night or so in the Venice caliboose, no doubt this accentuates the popularity of the Plantation — for otherwise we cannot account for the continued patronage this cafe is receiving. t