Close Up (Oct 1920 - Aug 1923)

Record Details:

Title:
Close Up
Date:
Oct 1920 - Aug 1923
Volume:
Close-Up (1920-1923)
Leaf #:
000360
Language:
English
Collection:
Early Cinema, Switzerland, and Global Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
June 20, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

GERTRUDE AS TOR SCREENLAND’S MOST DISTINCTIVE “HEAVY” There are “heavies” and “heavies,” but the most beautiful “heavy” in motion pictures is Gertrude Astor! She stands entirely in a class by herself — she is so different — physically, mentally, and from an artistic standpoint. She has rightfully been acknowledged by exhibitors as the ideal “vamp” of the screen. Whenever a producer includes this lady’s name in his cast, he has assured thousands of exhibitors of a name of box office value. The above picture shows Miss Astor in one of her leisure moments — after a hard day’s toil before the camera. NjV,