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BAND OF H. M. GRENADIER GUARDS—see: No. Price H. M. Grenadier Guards Band |
BARBIROLLI, JOHN (Conductor)—see: (with Philharmonic-Symphony Orch. of N. Y.)
Academic .Festival Overture, @p. 80° (Brahms). espa. oe ener set X-200 2.85 Bartered Bride, The: Overture (Smetana)..........ccccecccccees 19003-D 75 Gapricciow Espagnol (Rimsky-Korsakov) meres eeeieeenteesccmenenenenceeas set X-185 2.85 Concerto in B-Flat (Mozart) (with Casadesus, piano).......... set M-490 4.85 Concerto No. 1 in G Minor for Violin & Orch. (Bruch) :
(OWAhtey NiGhiatatawawiSivatary .odGeckhhnSackuacsossuecccecscuoset M-517 3.85 FirstRhapsody =forGlarinet (Debussy) ci. aeweiencn snk eee eee 11517-D ~=1.00 Petite Suite: Ballet™ (Debussy, ss eemienee orcas (in set X-207)...11641-D 1.00 Romans Carnival *Overtures (Berlioz) cree ee ee ee eee 11670-D 1.00 Sheep May Safely Graze (from ‘Birthday Cantata’’)
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BARLOW, HOWARD (Conductor) (See Columbia Broadcasting Symphony)
BARTLETT AND ROBERTSON (Duo-Pianists)
Psychic unity and the singular unanimity of their playing have made Ethel Bartlett and Rae Robertson one of the world’s most beloved teams of duopianists. They both studied under Tobias Matthay at The Royal Academy of Music in London and were married shortly after Mr. Robertson returned to his studies there after serving four distinctive years with the British Army during World War I. : Aside from their concert work they have become Walls known as editars and annotators of classical and modern piano music. Since their first joint concert in 1927, they have toured the world together to enormous acclaim, and have played with all the major orchestras in the United States. Their revival of early 18th and 19th century piano works and their introduction of new compositions by modern composers has brought a great deal of interesting and unusual music to the public.
Bartlett and Robertson Recordings:
Andantesand Variations, ©p. 46n(Schumant€)enmtcrerteretetercnenetanens set X-213 2.85 Arrival of the Queen of Sheba (Handel)......... stelle Oeshenstciehercicns 69818-D 1.00 Gampanella,Ea (Raganini-Liszt=iay lot) mnce te steccratchenene Ne renenersie tenet 71452-D 1.00 Earle of Salisbury’s Pavan (from ‘’Parthenia’’) (ByrG) 2 ae a eas ores eke eee See mere ieee (in set X-256)...71685-D 1.00 Elizabethan. Suites. sie 6.5 oie cue rater onl eects opener na een ae ee *set X-256° 2.85 En BlancEt Noire (Debussy. izearce cc corinne cote etna a ae ene ee set X-241 2.85 Etude in the Form of a Canon, Op. 56, No. 4
(Schumann: arn ’Debussy). 25. o. vare be ee ae (In set X-213)...71311-D 1.00 Fall Of The Leafe, The (Peerson)............ (in set X-256)...71686-D 1.00 Gavotte+(Gluck arrsDoebber)\. sense secre eo cue cuore eine ereneaee iene nena ae 17240-D 75 HissaGonceita.(hannaby,) ereaekerecen eee eee (in set X-256)...71685-D 1.00 mikte (Didekelante) rola aislow ia oo ou Sie boo Oe 6 eit (in set X-256)...71686-D 1.00 Jesu, My Heart’s Joy (from Cantata No. 147) (Bach arr. Horne).. 17240-D 75 John, Come Kisse Me Now (Byrd)............ (in set X-256)...71685-D 1.00 Kings unting=wigd Gameliite ms Bull) cas anne (in set X-256) ..71686-D 1.00 Liebestraum® Now 3) (Eiszt=Robertsorm) here eo cicloe ereneiee iene ae memes 71452-D 1.00 Romance from First Suite for two pianos (Arensky)............. 17198-D 75 Scaramouche (Milhaud) (Suite for two pianos)...............-69835-D 1.00 Scherzo (from ““Midsummer Night’s Dream’’ Music) (Mendelssohn).71398-D 1.00 Sheep~ May Safely..Graze’ (Boch Jevspa 5 Sts snatat cheese pratense ceueet teen 69818-D 1.00 Tower FilieiggeciFParmaby) anucsercttesse si donerohewaiaee (in set X-256)...71686-D 1.00 Toye, =A: o(Farnaby) oh peu tet: teresa notes onets oer ieee (in set X-256)...71685-D 1.00 Tune’ For diwo: Virginals(Earmaby) mows icneleotterete (in set X-256)...71686-D 1.00
ASA * Not available in automatic sequence (MM or MX)
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