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CASADESUS, ROBERT—Continued: No. Price Trois Valses Romantiques (for two pianos) (Chabrier)
PORES tCSCISGGESUIS) ie ee a ee See s See’ set X-209 2.25
Valses Nobles Et Sentimentales (Ravel)...............e00-. set X-194 2.25
ROBERT AND GABY CASADESUS (Duo-pianists) see: fimeeweises -Romantiques .(Chabrier)... 2.5.0... 220.00. oe oe set X-209 2.25
CASSADO, GASPAR (Cello) see: MEME KRISAR (ESCO MEY AS) eset cece d Ste chche: SUaewere as vire eel G Hebd’ Miele wade oar dig set M-266 4.85
CASTAGNA, BRUNA (Contralto)
Bruna Castagna was born in a picturesque town in the south of Italy — Bari. The gods had seen fit to bless her with talents in both piano playing and singing. For a while, she had difficulty in choosing between the two. Finally she decided to abandon the piano and devote herself entirely to training her voice in the best tradition of Italian opera. Returning to Italy after a successful tour of South
re nn America she sang for Toscanini who engaged her fo La Scala There Castagna’s fame as a contralto soared.
Castagna was invited to give guest performances with leading American opera companies including those in Chicago, San Francisco and St. Louis. In 1934 she was a leading singer at the Hippodrome in New York. She was finally engaged by Edward Johnson for the Metropolitan, and on March 12, 1936, she made her Met debut with great success in Aida. Since then she has been one of the leading stars of the nation’s first opera company.
Castagna Recordings: (with Orchestra under Alfredo Antonini)
Amour, Viens Aider (‘Oh Love, Thy Help’’ from
eocinisonaancdmpelilan: etSaint=-SaGens)iiids canes wake 0d bis are ee ote ve 71390-D 1.00 Ces Lettres (‘Letter Song’’ from ‘‘Werther’’) (Massenet).........71390-D 1.00 Mon Coeur S’Ouvre A Ta Voix (from ‘Samson and
Sead d BEM ATI TH SOE uA ar sor» “oo Io's i CoMe Perot’ avec lee tetaeese w “eo ate 71058-D 1.00 waarmee caioe, (trom. Don sCarlos’’))(Verdi) gc. soo hes eee 71276-D 1.00 Printemps Qui Commence (from ‘‘Samson and
Seem MALU CRIED Cr SCLETIS) o Catia scutes has oak ee ow Sok ce ek Save cee e's 71058-D 1.00 Voce di donna o d’angelo (from ‘‘La Gioconda’’) (Ponchielli)...... 71276-D 1.00
CATHOLIC CHURCH MUSIC CONCERT CHOIR—see: SEPT E CSU IOCT) tc ere nia, <'a'ce esl s ok che «ecw a0 0 -tue alam 1.50
CECIL, LIONELLO (Tenor) see: SEMIS CUM cre eer et ofc a's a, ee cok cele Rie a Oe a Bleue 2s a ole Op. 2 16.70
CERNAY, GERMAINE (Mezzo-soprano) see: Mon Coeur S‘ouvre 4 ta Voix.(Saint-Saéns). 2... 0... sce ceeds ence 9109-M ‘1.00
CHANTEURS DE LYON, LES (Choral Group) see: prema eins ee Ter eS ro isn (Se ot rl ew A 2 ee set M-354 5.85
CHAVEZ, CARLOS (Composer-Conductor) see:
(with Orchestra of American & Mexican Musicians)
Danza a Centeotl (from ‘‘Los Cuatro Soles’’)....(in set M-414)...70334-D 1.00 Peis V Om aeertizye. | et So (in set M-414)...70335-D 1.00 Paloma Azul, La, 2 sides, (Traditional)... ..%.% (in set M-414)...70333-D 1.00 Program of Mexican Musi Pre A rece ty Ne a oh PE ns. wees set M-414 4.85 Sones Mariachi, 2 sides, (Jalisco) SMD vates.'o to ce a takeg he (in set M-414)...70332-D 1.00 Xochipili (Macuilxochitl) pete Peter Venctets to teletetateretohe (in set -M-414)...70334-D 1.00 Yaqui Music (Sonora) (Traditional)............ (in set M-414)...70335-D 1.00
* Not available in automatic sequence (MM or MX) 493