Columbia Record Catalog (1947)

9 ~ — ~~ e SECTION JANSSEN, HERBERT—Continued Janssen Recordings: No. Price Gotterdammerung, Die—Hagen’s Call (Wagner)...........-.-set X-83 2.85 Song To The Evening Star (from ‘’Tannhduser’’) (Wager) (With Metropolitan Opera Orch. cond. by Paul Breisach)...... 71697-D _1.00 eM RLISG MNVCIQIIOL) CYR I mew cn yn on she Oh cc we fee set Op. 24 19.70 Tristan und Isolde—Excerpts from Act Ill (Wagner).......... set M-550 5.85 Walkure, Die—Act II| (Wagner) (With Helen Traubel, soprano and Philh.-Symph. Orch. of N. Y., Artur Rodzinski, conductor.set M-581 8.85 Wolfram’s Entry (from ‘’Tannhduser’’) (Wagner) (With Metropolitan Serer che Conde-by Paul sBreisasttw.s% once less bees 71697-D ‘1.00 JAROFF, SERGE—see Don Cossack Chorus JOBIN, RAOUL (Tenor) A native of Quebec, Raoul Jobin studied singing in his home city and in Paris. In 1930, he made his debut at the Paris Opera, and during the fifteen months that followed, set a record of 111 performances. From 1934 until the outbreak of war, Jobin was leading tenor of both the Grand Opera and the Opera Comique. He made his South American debut in 1939, and in 1940 appeared with the Metropolitan Opera Company in Manon with outstanding success. He has been with the Metropolitan as one of its leading tenors every season since his debut. As a recitalist, Jobin has sung ip Europe, North America and South America to great acclaim. Perhaps est known for his Don Jose in Carmen, the distinguished tenor records exclusively for Columbia. Jobin Recordings: TI ORE RK CELTS tara cits: cckecs o> oases Sore eo. 08s cee ey gatees set M-607 5.85 Final Duet (from ‘’Carmen’”’) (Bizet) (with Risé Stevens mezzo-soprano)......... (in set M-607)...71743-D 1.00 Flower Song (from ‘’Carmen”’) (Bizet)......... (in set M-607)...71741-D 1.00 Seguidilla And Duet (from ‘’Carmen’’) (Bizet) (with Risé Stevens mezzo-soprano).......... (in set M-607)...71740-D 1.00 JONAS, MARYLA (Piano) Maryla Jonas, the Polish pianist whose first New York appearance in 1946 was a sensation, made her debut with the Warsaw Philharmonic at the age of nine. She studied under Paderewski and in 1932 won an International Chopin Prize and the Beethoven Prize of Vienna in 1933. In Warsaw, when it fell to the Germans, she was jailed for refusing to play for the Nazis. Upon her release, she made her way with great difficulty to Berlin. With the aid of the Brazilian Embassy there, she escaped to Brazil, where friends encouraged her to resume her career. After three years of concerts in South America, she slipped unheralded into New York, where her playing received the most enthusiastic acclaim in years. Miss Jonas was immediately engaged to appear as soloist with the Philharmonic-Symphony Orchestra of New York and to record exclusively for Columbia. Jonas Recordings: Mazurka No. 19 in B Minor, Op. 30, No. 2 NEO ets eae lta . RR Re. (in set M-626)...71810-D 1.00 Mazurka No. 43 in G Minor, Op. 67, No. 2 STOP lip Meee ee EN atch tit Molar bole goa wie we Laeneeeh (in set M-626)...71810-D 1.00 Mazurka No. 49 in F Minor, Op. 68, No. 4 SSSI SOPSET IMME tea Enh kes siot on phar arsed er ah Ovo o (in set M-626)...71810-D 1.00 Nocturne No. 19 in E Minor, Op. 72, No. 1 POPLAR EMM ERS tau te Ay) EUSeAS EN fecgersaire rag! Vee”, Kite, ia.e a8 (in set M-626)...71811-D 1.00 Nocturne No. 20 in C-Sharp Minor, Op. posth. NATIT A an Peet ae eee oe, cae heer iceaeee «okies (in set M-626)...71811-D 1.00 Rar OMATIEVEMERS Ft STTOID IAL oie hits veh setae gs io eee oie Seto ans, sank and eae ewes *set M-626 3.85 Polonaise No. 9 in B-Flat Major, Op. 71, No. 2 EIA ieee een oe PES ts ecg a lass hd cle e's (in set M-626)...71812-D 1.00 Waltz No. 11 in G-Flat Major, Op. 70, No. 1 MAIS ls he at, oes xc nla.c vv abies (in set M-626)...71812-D 1.00 Waltz No. 13 in D-Flat Major, Op. 70, No. 3 ES OT i CE LNG casas dh, oe teed wi ws VON (in set M-626)...71812-D 1.00 * Not available in automatic sequence (MM or MX) 509