Columbia Record Catalog (1947)

LO aa Sei rcye ta Me fh RNR SEARO pom al yc , LON Aa pe tits ee r \ “ — WALTER, BRUNO—Continued No. Price Symphony No. 41 In C Major (K. 551) (‘Jupiter’) (Mozart) 4 With PRIneORIC SVInBROY Orch. of New York)......... set M-565 4.85 © Tales From The Vienna Woods (J. Strauss) (With | Symphony. #Orch. hfe 6 ecole. ha eyn ene pg eaedsats (in set M-364),..69562-D 1.00 Voi Che Sapete (From ‘‘Le Nozze di Figaro’’) (Mozart) (Lily Pons, soprano and Symphony Orch.)...........--. (in set M-518).. .17345-D 75 Waltzes From Der Rosenkavalier (R. Strauss) (With Berlin a Philharmonic: Orch.) oi... af e'8, 27 eiete out. cis) poe Arsceial ers ot stm Sepmetnae 67892-D 1.00 — WEBER, LUDWIG (Bass) see: Hagen’s Call—Die Gotterddmmerung (Wagner). ..(in set X-83)...69047-D 1.00 Hagen’s Watch—Die Gétterdammerung (Wagner).(in set X-83)...69048-D 1.00 >= ’ WEEDE, ROBERT (Baritone) Robert Weede was born in Baltimore, Maryland. During the first nineteen years of his life he had performed only in school productions and the like. In 1927, he won a national contest sponsored by the National Federation of Music Clubs. After _ years of study at the Eastman School of Music in | Rochester and abroad in Italy, he returned to New — York and was engaged to sing at the Radio City Music Hall. Since 1937, he has been singing leading baritone roles at the Metropolitan. 4 Weede Recordings: Carmen——EXxcerpts or sine digs caw a ete tae sovoh ace key opener ce eet re eee set M-607 City Called Heaven (Spiritual, arr. Hall-Jonnson)...............17293-D Cortigiani,.Vil Razza——Rigoletto «(Verdi) vane cowncte ences oh snaltneNeneueien sr 71261-D Freddy And His Fiddle (from “Song, OFF NOrWGYii lus sete oe he eter ienanakene nepeie ene (in set M-562)...7420-M lyKove Vou (from Song. Of) Norway” )ickicneecrel wee (in set M-562)...7420-M Ol -Man River (Hammerstein: W-Kern) i. 22. oo oie arene oe cence 17293-D Prologue——Pagliacci.7(LeomeGvallo) <2 20% sic. erecciene potent ononee emerseen ee 71261-D Toreador Song: (fromsGarmen’2): (BiZet) ie sien. sone aut sees area 71741-D Until Gieschemacher=Sandersorm) vece0 ies osteo al nreee ie etecen anche Stee 17282-D Yours lsaMy: Heart Alone® (Eeharyz2: aac atria eacceuenieeeeeee cake sea 17282-D WEINGARTNER, FELIX (Conductor) Weingartner’s career was an endless series of tri| umphs as a result of letting music flow. His secret — was to revitalize a score rather than to sensation-— alize it. Weingartner performances were wholly © honest, vigorous, direct and exciting. In them the — music of Beethoven sounded as Beethoven wrote it, — and the music of Brahms as Brahms wrote it. Weingartner was born in Dalmatia in 1863. He © wees studied at the Conservatory of Weimar and with — Liszt. Later on he conducted the Royal Orchestra in Berlin, the Vienna Court Opera and the Vienna Philharmonic Orchestra. In 1927 he became — director of the Basle Conservatory and leader of the concerts of the — Allgemeine Musikgesellschaft. Besides his conducting activities that ex— tended throughout the world, he wrote voluminously and his essay on Beetho— ven’s nine symphonies is virtually the final word on the subject. Weingartner Recordings: Alcina Suite (Handel) (With Orch. De La Société Des Concerts " Du'Conservatoire “de Raris):c sie ses esc. acc canine one ee ee set X-164 2.85 — Concerto Grasso No. 5 in D Major, Op. 6 (Handel) (With London 2m Philharmonic Orci) ae ee te pe ate tent crate ee eee an ne ree set X-142 2.85 Concerto Grosso No. 6 in G Minor, Op. 6, No. 6 (Handel) : (With) LondonsSymphonysOrehestra) a. ackaese cece tenes sae eo set X-154 2.85 Concerto No. 1 in E-Flat for Piano and Orch. (Liszt) (With Orch. De La Société Des Concerts Du Conservatoire de Paris Ss Re SGUOL IGIIO) S26. £8 coh ae icons cock ch cine re ene a set M-371 3.85 Consecration Of The House Overture (Beethoven) (With 4 London. .Philkarmonics Orchestra} 20.5 2 rae aice sis een een set X-140 2.85 558 * Not available in automatic sequence (MM or MX) a