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Ag 7) poso|bae] COLUMBIA RECORDS |]
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Agnus Dei. (Ferry.) Paulist Choristers of Chicago Salve, Regina. (Waddington.) Paulist Choristers of Chicago
Ah! Bello a me ritorna (Restore to me your love’s protection) from ‘‘Norma.”’ Celestina Boninsegna Norma: Casta Diva (Queen of Heaven). Celestina Boninsegna
Ah! fors’ é lui (Quel est done ce trouble charmant?), from “Traviata.” In French. Mary Garden
Traviata: Pour jamais ta destinée. (Sempre libera deggio.) (The round of pleasure I’ll enjoy.) In French. Mary Garden
Ahi Ahi Poakolu (Wednesday Evening). Toots Paka Hawaiian Company Kamawee (Move Your Feet). (Hula.,) Toots Paka Hawaiian Company
Ah! Que VPamour cause de peine. (Vieille Chanson Populaire.) (Gounod.) Yvette Guilbert La Glu. (Gounod.) Yvette Guilbert
Ah! so pure (M’appari), from ‘“Martha.’’ In _ Italian. Hipolito Lazaro Ah! There. Flirtation Fox-Trot. (Downing.) Columbia Orchestra Just Another Kiss. (Hilbert.) Waltz. Introducing “Valse Inspiration.”?> (Thomas and Eckstein.) Paul Biese Trio
AIDA. Grand opera in four acts by Verdi. One of the most beautifully staged and popular operas in the world. Written for the Khedive of Egypt for the opera house at Cairo; introduced there December 24, 1871. The first European performance was at La Scala, Milan, February $5 Uae
The story of the opera concerns Aida, daughter of Amonasro, King of Ethiopia, who is a captive in the palace of Amneris. Rhadames, an Egyptian soldier, falls in love with Aida, and brings upon himself and Aida the jealous hatred of Amneris. Rhadames is called to war against Aida’s father Amonasro. Rhadames returns with Amonasro prisoner. Amonasro through his daughter leads Rhadames to become a traitor. Amneris overhears the plot and in revenge has Rhadames captured and sentenced to be buried alive. In the last scene of the fourth act Rhadames, in his underground dungeon, finds Aida, who has overheard his sentence, and secreted herself in the vault. The lovers die together.
Act I.—Palace of the King at Memphis. Celeste Aida (Radiant Aida.) Hipolito Lazaro
Nume, custode e vindice (Guard now our sacred land). Giovanni Zenatello and José Mardones and Cavalleria Rusticana: Tu qui SantuzzaP (Thou here, Santuzza?) In Italian.
: Gay and Zenatello
Act Il.—Hall in Amneris’ Apartments.
Triumphal March and La Gioconda. Dance of the Hours. Metropolitan Opera House Orchestra Act Ili.—Banks of the Nile. , O cieli azzurri (O skies of blue) and Tosca: Preghiera—Vissi d’arte e d’amore (Prayer—For love and art I’ve lived). In Italian. Emmy Destinn
Oh Patria Mia. (My Native Land.) Rosa Ponselle Aet LVc Scene Two—A Judgment Hall, Below an Underground Cell.
O terra addio (Farewell, O earth). Luisa Villani and Carlo Cartica and Selections. Prince’s Orchestra
O terra addio (Farewell, O earth) and Trovatore: Miserere—Ah, che la morte ognora (Ah, I have sighed to rest me). In Italian. : Emmy Destinn and Giovanni Zenatello
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