Columbia Record Catalog (1921)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Ca foofee] COLUMBIA RECORDS | A5179 A5279 AS5777 A6095 A5279 49516 A5559 A6076 A5992 A6076 A5860 A5452 A5948 A2214 A1734 A2130 A27706 12 12 12 12 12 12 12 12 12 12 12 12 10 10 10 10 1.50 3.00 1.50 1.50 3.00 1.50 85 85 85 CARMEN —Continued. Act I.—Public Square in Seville. Habanera (Love is a wood bird wild) and Maria! Mari! (E. di Capua.) Lina Cavalieri Habanera (Love is a wood bird wild) and Air des Cartes. (Card Scene.) Maria Gay Act I1.—Tavern of Lillas Pastia. Canzone del Toreador (Song of the Toreador). In Italian and Barbiere di Siviglia: Largo al factotum (Make way for the factotum). In Italian. Giuseppe Campanari Song of the Toreador. Mardones, and Columbia Male Chorus and Ernani: Infelice, e tuo credevi (Unhappy one, that I so trusted.) José Mardones Act IT1.—A Mountain Camp. Air des Cartes (Card Scene) and Habanera (Love is a wood bird wild). Maria Gay Micaela’s aria. “Je dis que rien ne m’epouvante” (1 Say That No Fear Shall Deter Me). (Bizet.) Hulda Lashanska Act IV.—Exterior of the Bull Ring, Seville. Overture and Intermezzo and lArlésienne Suite: Prelude and Adagietto. Columbia Symphony Orchestra Miscellaneous Carmen Records. Selections. (a) Prelude. (b) Les Toreadors and Trovatore: Selections. Metropolitan Opera House Orchestra Carmen Fantasy. (Bizet-Sarasate.) Kathleen Parlow, violinist Nocturne, Opus 9, No. 2. (Chopin-Sarasate.) Kathleen Parlow, violinist Carmen: Selections. (a) Prelude. (b) Les Toreadors. Metropolitan Opera House Orchestra Trovatore: Selections. Metropolitan Opera House Orchestra Carmen: Two Spanish Dances. Chicago Symphony Orchestra Sleeping Beauty Waltz. (Tchaikovsky.) Chicago Symphony Orchestra Carmena Waltz. (Wilson.) Mixed Quartette, Kerns, Potter, Campbell and Croxton Blue Danube Waltz. (Vocal arrangement—‘‘Greeting to Spring.’’) (Strauss.) Columbia Light Opera Company Carmena Waltz. (Wilson.) Lucy Gates Blue Danube Waltz. (Vocal arrangement—‘Greeting to Spring.’’) (Strauss.) Lucy Gates, assisted by Columbia Stellar Quartette Carnation Flower, (Pua Carnation.) Introducing “Wiliwili Wai.” (Surging Waters.) Louise and Ferera, guitar duet Palakiko Blues. Louise and Ferera, guitar duet Carnival Maid. March and Two-Step. Thos. Mills, xylophonist Flower Girl. (Wenrich.) Thos. Mills, xylophonist Carnival Prince, The. (El Principe Carnaval.) (Valverde.) Dance of the Bear. Prince’s Orchestra Jolly Coppersmith. (Peter.) Prince’s Orchestra Carolina Sunshine. (Schmidt.) Sterling Trio Give Me a Smile and a Kiss. (Sullivan and Handman,) Charles Harrison This catalog is only a partial list of Columbia Records—ask for the latest monthly supplement. ~ 2 vo