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Ca a fossa] COLUMBIA RECORDS |
A6135
49694
A5179
30397
A2395
A5198
49570 A5871
A5426
A5824
A5908
A5904
A6019
A1796
A2456 48762
12 1.50
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12 1.50
12 1.00
10.85
12 1.50
12 1.60 12 1.25
12 3.00
12 1.25 12 1.50 12 1.50
12 1.25
10 .85
10. .85 12 1.50
CAUCASIAN SKETCHES—Continued.
Cortege du Sardar (March of the Sirdar) and Turkish March from Sonata in A Major. Philharmonic Orch.
‘Cause of You. (Waller.) Rieeardo Stracciari
CAVALIERI, LINA, soprano. (For biographical notes see tinted section.)
Carmen: Habafera (Love is a wood bird wild). In French
and Maria! Mari! In Neapolitan
‘Faust: Aria dei gioielli (Jewel Song). In Italian.
CAVALLERIA RUSTICANA.
Opera in one act, liberto by G. Targioni-Tozzetti and G. Menasci. Music by Pietro Mascagni. First performed in Costanzi Theatre, Rome, May 17, 1890. .
Cavalleria Rusticana is an intense Italian drama in one act, divided into two parts by the well-known Intermezzo Sinfonico (interlude for the orchestra). The plot is nothing unusual, but is amply made up for by the immortal accompaniments of Mascagni. Alfio persuades Lola to marry him in the absence of Turiddu, her first lover, during the absence of the latter at war. On the return of Turiddu from the war, he consoles himself for his loss with the love of Santuzza. Shortly, however, his first love for Lola returns, and Santuzza, angry at the loss of Turriddu’s affections, reveals the affair to Alfio. As the villagers sing the ‘‘Queen of Heaven’? on Easter morning, Alfio challenges Turiddu to a duel. Turiddu, realizing his life has been spoiled, bids an affectionate farewell to his mother, and goes forth to meet justice at the hand of Alfio. Cavalleria is one of the few operas in which the main tragedy occurs off stage.
Act I.—Scene—Public Square in a Sicilian Town.
Siciliana and Tancredi Overture. (Rossini.) Guido Deiro, accordion solo
Voi lo sapete, O mamma (Well thou knowest, mother) and Gioconda: Suicidio! In questi fieri momenti. (Suicide my one resource.) In Italian. Celestina Boninsegna Voi lo sapete, O mamma. (Well you know, good mother.) Rosa Ponselle Intermezzo and The Prophet: Coronation March. Prince’s Symphony Orchestra Tu qui, SantuzzaP (Thou here, Santuzza?) Gay and Zenatello
and Aida: Nume, custode e vindice (Guard now our sacred land). In Italian. Zenatello and Mardones, with chorus
Part II.—The Same.
Scene and Prayer. Columbia Opera Chorus. In English and Il Trovatore: Chorus. ‘‘Miserere.” In English. Kerns, Charles Harrison and Columbia Opera Chorus
Cavalleria Rusticana. Intermezzo. Kathleen Parlow, violinist Faust: “Fantaisie,” Opus 20. (Gounod-Wieniawski.) Kathleen Parlow, violinist
Cavatina. (Raff.) Eddy Brown, violinist Elégie. (Massenet.) Eddy Brown, violinist Cecile Waltz. (McKee.) Prince’s Orchestra Millicent Waltz. (McKee.) Prince’s Orchestra
CELESTA SOLOS.
When the Swallows Homeward Fly and Silver Threads Among the Gold. Charles Adams
Celeste Aida. See Medley: “Sing Me Love’s Lullaby.” Celeste. Aida (Radiant Aida), from -‘‘Aida.” in Lazaro
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