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foulfes| COLUMBIA RECORDS |
COLUMBIA SAXOPHONE SEXTETTE—Continued. Oh! What A Pal Was Mary. Medlev Waltz. Introducing, Meet Me In Bubble Land and Weeping Willow Blues. Fox-Trot Ting-Ling Toy. Fox-Trot and Where the Lanterns Glow. Medley One-Step. Introducing (1) “My Golden Rose.” (2) ““Everybody Calls Me Honey.”
Waiting. Medley Fox-Trot. Introducing (1) “Idol.” (2) ‘Longing”’ and Chong (He Come From Hong Kong.) Medley Fox-Trot. Introducing (1) “Anything Is Nice If It
Comes From Dixieland.’ (2) “‘By the Campfire.’’
Weeping Willow Blues. FoxTrot and Oh! What.a Pal Was Mary. Medley Waltz. Introducing “Meet Me In
Bubble Land.”’
Who Wants A Baby. Medley Fox-Trot. Introducing (1) “I’m Waiting For Ships That Never Come In.” (2) “SA Little Bunch of Sweetness”’ and The Crocodile. Fox-Trot
COLUMBIA SPANISH ORCHESTRA.,
Spanish Gypsy Dance. and Night of Love. Concert Waltz. Spanish Gypsy Orch.
COLUMBIA STELLAR QUARTETTE: 5
The admirers of the four-part singing of the Columbia Stellar Quartette are so many that a short COLUMBIA STELLAR QUARTETTE personal introduction to the individual members of this unexcelled ensemble will be of real interest, This quartette sings together only for the Columbia Company, and each new record is a veritable sensation.
Charles Harrison, first tenor, whose clear voice so often heard brilliantly carrying the air, is a New Jersey man. He commenced voice culture at the age of seventeen under Leo Kofler and has been tenor at the Iew York Fifth Avenue Brick Presbyterian Church until the present season, when he entered the concert field. He has been forced to give up a business for a professional career at the call of public admirers of his musical ability.
Reed Miller, second tenor, is a native of the South. Miller came to New York with nothing in his pocket but ability. With a voice no less than a gift, he has achieved fame as one of the greatest Oratorio soloists the country has ever known.* From coast to coast Mr. Miller has been called to sing in chorus productions.
Andrea Sarto, baritone, is above all a “‘singer.’? From a boy he sang for himself and friends. In 1910 he left his church position to step up on the concert and operatic stage. Conried, of operatic fame, selected Sarto for baritone work at the Metropolitan, and from that time he has grown in*poular esteem throughout the country as a concert Singer of rare excellence and sterling character.
Frank Croxton, bass, was born in Kentucky and was educated at the Kentiicky University. At the youthful age of six his remarkable voice was developing under the tutorship of his father. At twenty-one he came to New York and built up a reputation which has taken him as soloist with orchestras and choral societies throughout the United States. The outstanding quality of Croxton’s voice is an unusual clearness seldom found in a voice of such low bass register. In his solo passages this clarity is particularly noticeable.
*THE LURE OF MUSIC” contains elaborate descriptions of many Columbia records. See announcement in back of this catalog.
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