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Oh COLUMBIA RECORDS ]
Oh! What A Pal Was Mary. (Wendling.) Medley Waltz. Introducing (1) “Dear Old Girl.” (Morse.) (2) “Meet Me in Bubble Land.” (Jones.) Prince’s Orchestra. Incidental Chorus by Fred Hughes Carolina Sunshine. (Schmidt.) Medley Waltz. Introducing “J Never Knew That I Loved You Until There Was Somebody Else” from “Oh! What a Girl.’? (Dreyer.) Prince’s Orchestra. Incidental Chorus by Campbell and Burr
Oh! What a Pal Was Mary. (Wendling.) Henry Burr Waiting from ‘“‘Listen Lester.” (Orlob.) Charles Harrison
Oh! What a Pal Was Mary. (Wendling.) Waitz. Introducing, Meet Me In Bubble Land. (Jones.) Columbia Saxophone Sextette Incidental Chorus by Grant Stephens Weeping Willow Blues. (King.) Fox-Trot. Columbia Saxophone Sextette Oh! You La! La! (Tush.) Medley One-Step. Introducing “T Want Him Back Again.” (Brown.) Sweatman’s Original Jazz Band Indianola. (Henry and Omivas.) Fox-Trot. Introducing ‘‘Those Draftin’ Blues.” (Pinkard.) Sweatman’s Original Jazz Band
Oh! You Little Bear. (Hearth and Vanderveer.) Collins and Harlan When the Midnight Choo Choo Leaves for Alabam’. (Berlin.) Harlan and Collins
Oh! You Sweetie. See Medley: “Sally Down Our Alley.”
O Fair, O Sweet and Holy. (Cantor.) Stell, Lufsky and Schuetze, violin, flute and harp trio A Perfect Day. (Jacobs-Bond.) Columbia Mixed Quartette
O Isis et Osiris! (Great Isis, Great Osiris!), from “Magic lute.” In French. ° Léon Rothier ‘Don Carlos: Ella giammai m’amo. In Italian. Léon Rothier
Old Fashioned Garden. (Porter.) Medley One-Step. Introducing “Peter Piper’ from ‘“Hitchy-Koo 1919.” (Porter.) Prince’s Dance Orchestra
Apple Blossoms. Waltz. Introdacing (1) “You Are Free.” (Kreisler and Jacobi.) (2) “Brothers.”” (Kreisler and Jacobi.) Frince’s Dance Orchestra
O Little Town of Bethlehem. (Redner.) Columbia Double Mixed Quartette While Shepherds Watched. (Handel.) Columbia Donble Mixed Qt.
OLCOTT, CHAUNCEY, tenor.
No other Irish singer has ever combined such ability as an actor with a voice of so much charm and personality. Olcott’s career as a singer commenced when, as a boy, he sang with Billy Emerson’s Minstrels in the Bush Street Theatre, San Francisco. His voice showed so much promise that a few seasons later he went abroad to study for opera and was heard in London by Charles Wyndham, who engaged him to appear ina light opera, ‘Miss Hellyet.’? In this production he attracted the attention of the American manager, August Pitou, who engaged him to take Scanlon’s place in a projected production of an Irish play, ‘‘Mavourneen.”? This was Olcott’s introduction to the long list of Irish plays, with songs interpolated by himself, which he has produced year after year throughout the United States and Canada. Among the most popular of these are “Sweet Inniscarra,”’ ‘‘Ragged Robin,’ ‘‘The Irish Artist,” ‘‘Old Limerick Town,”’’ “A Romance of Athlone,’ ‘‘Macushla,” ‘‘Terence,” “Barry O’ Bailymore’”’ and ‘“‘SShameen Dhu.” Mr. Olcott’s singing appeals irresistibly to the Irish temperament and almost equally so to all who like to hear a good ballad well sung.
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