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foarfapeol COLUMBIA RECORDS |
A6157 12 1.25
A2283 10 1.00
A5464 12 1.25
A5943 12 1.50
A1560 10 1.00
A2825 10 1.00
A2429 10 1.00
A6022 12 1.25
A5194 12 1.60
A5370 12 3.00
Tripoli. Medley Waltz. (Weil.) Introducing “Let the Rest of the World Go By.” (Ball.) Prince’s Dance Orchestra
Romance. Waltz. Introducing “There’ll Come a Day.” (David.) Prince’s Orchestra
Trip to the Cottage. See Medley: “Medley of Jigs.’
TRISTAN AND ISOLDE.
Opera in.three acts. Text and music by Richard Wagner. First produced, Munich, 1865.
Isoldes Liebestod (Isolde’s Love Song) and Invitation to the Dance. (von Weber.) Columbia Symphony Orchestra, Felix Weingartner, conductor
Triumphal Entry of the Bojaren, The. (Halvorsen.) Cincinnati Symphony Orchestra
Coppélia Ballet. (Delibes.) No. 2. Waltz of the Hours. Cincinnati Symphony Orchestra
TROMBONE SOLOS.
Autumn Dreams. Leo Zimmerman and Twinkling Star Polka. Piccolo and xylophone duet
Miss Trombone. (Filmore.) Columbia Band. Intro. Trombone Specialty by Leo Zimmerman and Lassus Trombone. (De Cullud Valet to Miss Trombone.) (Filmore.) Columbia Band
Slidus Trombonus. Leo Zimmerman and The Four Stars. Brass Quartette, cornets and trombones
Trovatore. See Medley: “Classic One-Step Medley No. 2.”
TROVATORE.
Opera in four acts. Words by Cammanaro; music by Verdi. First produced in Rome, 18538.
Before the curtain rises on the first act, it is necessary to know that, many years before, the father of the present Count di Luna had burned the mother of Azucena, an old gypsy, who in revenge had stolen the young brother of the Count, and at the opening of the story had brought up Manrico as her own son, Manrico being quite unconscious of the plot of the gypsy. As a Troubadour he has gained the love of Leonora, also admired by the Count. In the first act Manrico and the Count meet in a duel, their paths having crossed on the way to Leonora. The Count’s life is generously spared by Manrico. In the next act Manrico is seen in the gypsy camp under the care of Azucena, recovering from a wound. He hears that Leonora, whose affections are in his favor, believing him dead, is about to take the veil. Also he hears that the Count intends to abduct her. He hastens to the Convent in time to rescue Leonora. One tragedy after another darkens the third act. Manrico learns that Azucena is in the power of the Count, condemned to be burned. Still believing her his mother, he flies to the rescue and is in turn captured by the Count. The gloom is even darker in the final act, where Leonora, to save Manrico, agrees to wed the Count, but on the signing of the order swallows poison. In retaliation the Count orders Manrico to instant death, and only learns, when too late, from Azucena that he has killed his own brother.
Act I. Vestibule in Aliaferia Palace.
Tacea la notte placida (How peaceful was the night) and D’amor sull’ ali rosee (Borne on love’s pinions). Celestina Boninsegna
Act II. Gypsy Camp in the Biscay Mountains.
Perigliarti ancora languente (While yet in languishment) and Ai nostri monti (Home to our mountains). Gay and Zenatello
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