Columbia Record Catalog (1921)

Record Details:

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eo A2386 A 573 £4294 A2942 A6018 A2Z427 Al585 A1l692 A2092 Ai159 A1168 A1i59 Ai220 A2Z092 Al1168 Ai855 Al1220 Al855 A2512 45892 AS844 A2159 Ai598 AS371 ALT17 10 10 10 12 10 10 10 10 10 10 10 10 10 10 10 10 10 10 12 10 10 10 Wa . posalsepae] COLUMBIA RECORDS 85 85 .85 .85 85 85 85 .85 .85 .85 85 85 -85 .85 .85 .85 .85 85 85 1.25 Waters of Venice. (Von Tilzer.) ‘Waltz.Prinee’s Orchestra Stolen Sweets, (Von: Tilzer.) Waltz. ‘ Prince’s Orchestra WATSON, GEORGE P., yodler, ~ . | Emmett’s Yodles. Medley a and Sleep, Baby Sleep Waves of the Marne, Waltz. Olga Bibor’s Gypsy Orchestra Kossovo Waltz. Royal Serbian Tambouritza Orchestra Way Down Barcelona Way. (Jentes.) Harry Fox All the Boys Love Mary. (Van and Schenck.) Van and Schenck Way Down There. See Medley: “Remick Medley One-Step.” Way Down Yonder In the Cornfield. Columbia Stellar Quartette S. R. Henry’s Barn Dance. (Down at the Huskin’ Bee.) (Henry.) Columbia Stellar Quartette Wayside Cross. (Palmer.) Chautauqua Preachers’ Quartetie Hold the Fort. (Bliss.) Chautauqua Preachers’ Quartette Wearin’ o’ The Green and Rakes of Mallow. Pipe Major J. Starck, bagpipe March Faughaballagh. Pipe Major J. Starck, bagpipe WEBER and FIELDS, comedians, (Exclusiye Columbia artists.) Baseball Game and Marriage Market Scene Drinking Scene and Hypnotic Scene Heinie at College and Mosquito Trust Hypnotic Scene and Drinking Scene Insurance Scene and Singing Scene Marriage Market Scene, The and The Baseball Game Mosquito Trust and Heinie at College Restaurant Scene and Trust Scene Singing Scene and Insurance Scene Trust Scene and Restaurant Scene WEBER, CARL MARIA VON (1786-1826). One of the most important and influential figures in creative music during the first quarter of the nineteenth century. His extensive travels as a child and youth with his father, who was director of atraveling dramatic troupe, gave him unexcelled opportunity to study the technique and mechanics of the stage, gaining thereby a knowledge revealed to perfection in his two great operas, “Der Frieschiitz’? and ‘‘Euryanthe,” works which were in many ways epoch making in the history of the stage. (Compositions see: ‘‘Freischiitz,” and “Invitation to the Dance.’’) Wedding Bells (Will You Ever Ring For Me)? (Schwartz.) Al Jolson Just a Little Cottage (Vl Call It Home, Sweet Home). (Egan.) Sterling Trio Wedding Day At Troldhaugen. (Grieg.) Prince’s Orchestra Bridal Procession. Opus 19, No. 2. (Grieg.) é Prince’s Symphony Orchestra Wedding March, (Mendelssohn.) Chicago Symphony Orchestra Spring. (Grieg.) Chicago Symphony Orchestra Wedding of the Rose, Intermezzo. (Jessel.) Prince’s Orchestra Sparklets. (Miles.) Prince’s Orchestra Wedding of the Winds. Waltz. (Hall.) Pietro Deiro, accordion solo La Sirena. Pietro Deiro, accordion solo Wedding of the Winds. Waltz. (Hall.) Prince’s Orchestra Luna Waltz, from “‘Lady Luna.” (Lincke.) Prince’s Orchestra Wedding of Uncle Josh and Aunt Nancy Smith, (Stewart.) i Mr. and Mrs, Cal Stewart Uncle Josh at Delmorico’s. (Stewart.) Cal Stewart 394