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VICTOR RED SEAL RECORDS
THE KREISLER RECORDS—Continued
Sérénade Espagnole Glazounow-Kreisler Slavonic Dance, No. | A G Minor) Dvorak-Kreisler Slavonic Dance No, 3 (In G Major) Dvorék-Kreisler Sonata in A Major (Op. 162) (Schubert) with Rachmaninoff Album M-107 (8216-8218). Price, $6.50. Sonata in C Minor (Grieg, Op. 45) Album M-45 (8112-8114). Price, $6.50.
with Rachmaninoff
Songs My Mother Taught Me (Gypsy Song) Dvofrak-Kreisler uyenir Drdla Tambourin Chinofs (Opus 3) Kreisler Tambourin Chinofs (Op. 3) Fritz Kreisler Tango (Op. 165, No. 2) Albeniz-Kreisler hais—Méditation Massenet
Vida Breve, La—Danza Espajiola De Falla-Kreisler
FRITZ KREISLER AND HUGO KREISLER—Violin, ’Cello separ’
Arlésienne—Intermezzo Bizet-K reisler Sanctissima Corelli-Kreisler
KREISLER AND THE LONDON PHILHARMONIC ORCHESTRA ER EEN VIRAL TINA
Concerto for Violin, in D Major (Op. 61) Beethoven Album M-325 (14163—14168-S) AM-325 (14169-14174-S). Price, $11.00. Concerto in D Major (Opus 77) Brahms Album M-402 (14588-14592-S) AM-402 (14593-14597-S). Price, $9.00. Concerto in E Minor (Op. 64) Mendelssohn
Album M-277 (8786-8788) AM-277 (8789-8791). Price, $6.50.
KREISLER WITH ORMANDY AND THE PHILADELPHIA ORCHESTRA
Concerto (Transcribed from First Movement of Concerto No. 1, in D
ajor Paganini-Kreisler Album M-361 (14420-14421). Price, $4.50.
KROLL, WILLIAM, Violinist with Coolidge Quartet
Concerto in A Minor (Bach)—See Pessl, also Coolidge Quartet
No. Size Price
1504 10 $1.50 1414 10 1.50 1225, 12-. 2.00
1414 1325 14690 6844 1339 6844 1891
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KUBELIK, RAFAEL, Conductor—See Czech Philharmonic Orchestra
KURTZ, EFREM, Conductor—See London Philharmonic Orchestra
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LAMOND, FREDERIC, Pianist
Sonata in A Flat—Ist Move.—Moderato cantabile (Op. 110) Beethoven Sonata in A Flat—2nd Move.—Allegro molto Beethoven Sonata in A Flat—3rd Move.—Adagio ma non troppo Beethoven
LANDOWSKA, WANDA, Harpsichordist and Pianist
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No. Size Price
7718 12 $2.00 7718 (122 206 7719 “122.06
(Lan-doff’-skah,
Wanda Landowska holds a place in the field of music which is very nearly unique, She has revived the harpsichord, precursor of the piano, and she interprets upon it the music of the old masters. She is of Polish birth, from Warsaw, but she has lived in other European cities, notably in Berlin and in Paris, where she has taught the elder music and absorbed it. She is a pianist of splendid powers, a composer, and a true authority on the classics. She designed her own harpsichord, which has two keyboards and a multiplicity of pedals, in the forgotten ‘‘grand manner.”” The harpsichord differs from the piano in the fact that its strings are plucked with quills, not struck with hammers, and from the clavichord in that this last instrument produces the tone and “stops’’ the
string with one motion, by a metal “‘tangent.”’
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