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VICTOR RED SEAL RECORDS
Concerto in C Major (Mozart) K. 299) with Marcel Moyse Album M-141 (11324-11326) AM-141 (11327-11329), Price, $5.00.
“ Follets— Caprice Etude (Op. 48) Hasselmans Impromptu for Harp (Opus 86) Gabriel Fauré Patrouille—Petite Marche caracteristique Hasselmans
LAUBENTHAL, RUDOLPH, Tenor
Meistersinger—Griiss’ Gott, mein Junker!—Mein Freund, in holder
+. ugendzeit Wagner e Siegfried—Ewig war ich, Ewig bin ich—O Siegfried! Dein war ich von Bh ecip, je! (Wagner) (Incl. in Album M-83) with Leider
Siegfried—Heil dir, Sonne! (Wagner) (Incl. in Album M-83) with Leider Also on Records 9465-9467 in Goétterdammerung Aibum M-60
~ LAUDER, SIR HARRY, Comedian (Lav’-der)
Breakfast in Bed on Sunday Morning Grafton-Lauder End of the Road Dillon-Lauder I Love a Lassie Lauder Loch Lomond (Old Scotch Air) Roamin’ in the Gloamin’ Lauder Scotch Memories Lauder There is Somebody Waiting for Me (Sea Song) Lauder Wee Deoch an’ Doris, A Grafton-Lauder Wee Hoose ’Mang the Heather, The Wells-Elton-Lauder When I Meet MacKay Lauder
LAURI-VOLPI, GIACOMO, Tenor (Loh-reeVohl'-pee)
Carmen—Air de la fleur (Flower Song) Bizet Faust—Salut demeure (All Hail, Thou Dwelling Lowly) Gounod
LAWRENCE, MARJORIE, Soprano
Salomé—Ah, j’ai baisée ta bouche R. Strauss Salomé—Et ta langue, elle ne remue plus R. Strauss Salomé—Oh, pourquoi ne m’as-tu pas regardée R. Strauss Salomé—Tu n’as pas voulu R. Strauss
LEFEBURE, YVONNE, Pianist (Leh-févr)
Variations, Interlude and Finale on a Theme by Rameau Dukas
Album M-385 (12088-12089). Price $3.50.
LEHMANN, LOTTE, Soprano
tations.
world’s greatest artists.
R 61
No.
4438 12005
4438
7427
9814 9813
7389 7389
8683 8682 8683 8682
_ LASKINE, LILY, Harpist—Soloist of Concerts Lamoureux
Size Price
10 $1.00 12 Srh0 10° 1.00 12. S32.0) (2c Pg 120 ae [ZPRet SG 123, 0 2c 0 12.2459 127 tad 12 1.50 12s Fae 12%? 50 12,54 1350 125 SG 12 o* h2v08 12 2.00 12 2,00 12 2.00 12-(492.06 127 oe
Lotte Lehmann, the great operatic and lieder soprano, was born in Germany, and won her first success when she substituted for a colleague in the réle of Elsa. In 1916 she was engaged by the Vienna State Opera for leading réles. Here she won fame in Strauss’s Ariadne auf Naxos, following it with other triumphs in various Strauss réles. Her Marschallin in Rosenkavalier is one of her finest interpre
Mme. Lehmann’s first season in America was in 19301931 as a member of the Chicago Opera Company. In 1934 she made her début at the Metropolitan as Sieglinde. As a lieder singer her interpretations are peerless. The songs in her recorded lieder recital reveal a voice quality and musicianship that endorse her reputation as one of the
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