Copyright term, film labeling, and film preservation legislation : hearings before the Subcommittee on Courts and Intellectual Property of the Committee on the Judiciary, House of Representatives, One Hundred Fourth Congress, first session, on H.R. 989, H.R. 1248, and H.R. 1734 ... June 1 and July 13, 1995 (1996)

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251 Ms. Barbara Ringer March 10, 1994 Page 2 My letter concerns the possibility of an extension of term of copyright, the effects of iituninent (in our case) Public Domain, and the truly disastrous effect of EU Copyright Law vs. U.S. Copyright Law. . .the conflicting International Copyright Laws... on my family's business, Donaldson Publishing Company, within three years time. Our company consists solely of, and is built upon my father's songs, most of which were brought into our firm at the Termination Period. If our company is to survive, an extension of term is imperative. As time is so critically of the essence, we urge you to initiate a moratorium until the issue can be fully studied and recommendations set forth. My concerns are complex. The issues about which I'm writing are complex. For the sake of clarity, I've chosen to focus on one song, but the circumstances are strikingly similar for all of the music in our catalog. In 1919 my father wrote, with lyricists Sam Lewis and Joe Young, "How 'Ya Gonna Keep 'Em Down On The Farm (After They've Seen Paree)", a song celebrating Armistice and the end of World War I, with wildly irreverent, peculiarly American humour... and a certain mad "take" on life after so much tragedy. Lt. James Reese Europe and