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354
Artists & Music
SONY. RHINO PLAN ROYALTY REFORMS
Ottjneo wrms the rtersMon ui 'iniuil mponae' »nt Hkb Uut pUm u encnrt the frtornv to i Iw^^r number of trtisti'
V being Fviluaud '
Fla include! RAB and mer iHiSts in 1968 iruulung m flntt« cud) u the Crowt. the time lump-sum puvrnenu to mtny of the d Ronnie Hswlum.jas wtMlM and Uter exunled (he rrfonn U)
> beiuif
I. Robi
Joe Tunvr. ThMmpun Jack Dupne. Bill Broonzv. and Memphis Minnv
RAB anG>ti> frura the -SO* >nd eOt. on Eptc dnd OKtrh include Roy Hamilton. Major Lance. Big Maytaelte the Ravens. ixT^imin Jay Hawkma. Ljttie Joe A the Thnllert. and the Schoolboys
A <|uick check of the nmur of the Rhn
grtaU Count Ba&ie, Joe WtDiaim. ^nh Vauffhan. and pop MUrt like Jen Southern and J immne Rodger^
Some early-blueK ptoneers may have
irveni music hmoruxM
Old rrrording contracu often aaddled unrepretenied artiau, moat of them Afncan-Amencans. with nyalty nits aa kTw aa 3% of whotaiale or l%af retaJ pnre Still other artutaarrepied no-royalty -buyouta' of between S60 and S200
, However, MCA haa not yet exlfnded tha»« refom to other RAB artxta who onre reconM for labeta auch aa Decca. Conl. PeKock. and Duke, wti^ MCA
Atiantw was the finl lafaH bo iniuue EMI followed with bnurter reforma.
the royiRy nforma in 198K foUomd by induding a 10% royalty U) all pre iy72
MCA >n 198V. EMI in 1992. and De annu in all genra aral the etammuwn
norvthe Ntppon Columtxa Co m 1993 of unncouped royalty bdajvcs
Atlanuc initially ehminaled unrv Denon/lhe Nippon Columbia Co..
coupedbalanmfor3&ofltaaeminatfor which owns the jazzand RAB-nchcsl'
■ri* ei«p««fa
JUliM OF tm TIJ
^M I I HaawY O & TK* B^ts
(III Nuttin oumrn
work ■"'!:?•■•
does -EEh
,. off
GRAMMY NOMINEES
■ITAL PlirOIHAICI
le compsnie* expreai
^ about the changea 19
PolyOrmm Holding Inc . which owrtt the Menury label and its a(TUiat£3 anrt the Verve cualoit and its prrdeceaaors In addition. PolvGram HoMing boufrht the MoUM-n caLakig M^erJ years ifj
Enc KjTinfeld, COO for PoMiram Hoidintr Inc . aavs the rrforma requot ed by the RA B Foundatxm bcajd member* are "the wrung »-ay to go* to ao*v nf the underlytng concerns about aging RAB performers — that la. generating funds for medical needs
Kronfekl aay« updating royalty rales and eliminating unncouped royalty baJ ancca ts *a Band-Aid af^niach ~ Raiher he supTxwta a concurrwii eff on by f oundation board members to eslabliah a eani()r«henBive medical-maurwice profnm Cor older aftwa
'I aipfMrt the efforts of board memfa0« Bonnie Ram and ( E H 1 M IMC [na■dm/CCO) Jon rcfleU to find and pn>vide a meani to allocate fundi to alleviate the luffenng of previous rrcording artisu ' uya Knnfeld. "and
ny rased royafty rat ncouped balancea. r on labels now owi
the remaining major« a mer reronting antHii urn royalty provision>. »wv
BMG 0%-n the RCA
the-boarri reforms. Executitea therv rt
rrf orms to meet the EMI and Rhmou
li Conte AlUntK a
tionahipa wtth our ariMUt— past and pn
Artoihcr label yei to make any n tbntia ■ Tantaay, wtuch tmnm the ab k«af the Jazz fBnif Pnatigc Riverad
enough difference to help th Furthermore. Kronfeld a
alty refoi
«edoe9
artiata "That'i distasteful to me " he SQTS. wiule adding that 'pnAably mod c/ thoae affened an AfricanAmencara-'
He says he had determined It wouU take at least thrre years to change the aceounung procedures, during which Qme a kx of ailmg veteran artats would not see any pouible benefits "
Settlor ufruUvjLA^ BMC. another of
Stai-VoH.
Some cntvx of the rmmlty reforms ai pnvatHy thai the hike to s 10% roysh rouU be offset by unpuUiaaed. curren industry -contract stipuiationa. such a» 2OTpackaging charge or a 2S* n*w mi (ha ( analog to (bgttal ) charge.
Unul the Sony and Rhino develof ments. slow pmgreas on the royalty n form front has frustrated Kome R4 Foundation board members e&|jecali in light of the recorrl of generous Amu oal support by the industry m other a;
write the foundation's annual Pionet Awards cerrmony
Industry gifls and donatMms haveti taled more than SI 3i> million sinc« th RAB Foundstjons inception in 1988
The fcundsuon s aixih-annuaJ award preaematjon wUI be hekJ March 2 at th Hollywind Palladium in Lea Angeles i a pan of Grammy Week.
BMG CLASSICS GETS INTERNET RETAIL SITE
ItoiUiHtud from pagt ii
s.'HowbetlertodoyourahoppBigr Vocal Area. Mail A
The classical radio s
fQled thai role have twen kMing audvnce
and changmg formal, he adds
The coat of cmung the database is
pocenoaL Bourne, s musnan sr^ a computer profeaaional who began aasemhling Claaaia World barvty five months
d Bulletin Boan!
It weU below 1100.000 'ltiunbebe\
month Among their desUnattonn. a* of mid-February 17 milhon domains more than double the 700.000 pariied m cybenpaoe in September when Boun^ pro^rt. The Um ci
fWnfadit)' has aUowed pletely eclipse serMces like CompuServe and America On-Lne. he addii Oaaaics World (reached at wwtidasncatanuuami conarta of set-en dmetonca; Ariot Area. Composer Area, Concert Halt. Bernoer s Guide. Opera/
d CD Store All feature CD-quat<V audiocips and reama of tno. m atkbuor Concert Hall has Quicktime videoa a performances.
s uicluded 85 BMG per
wty — Bourne was buy eicefptir^ ana from "Madame Butterfly " and 'Car men" the week before the launch o ClaasKS Worid 'Eyentually. there wj be sudioclips for every one ' Bourm boasU of ClaasKS World sound (fiaUy ■ We got very clever about compres
Reaching domain ca|acn> ant a eon cem 'f don't think well e\-er get neai e says Looking for more ways U
greater design promote BMG n
and perhaps co-promoM