Copyright term, film labeling, and film preservation legislation : hearings before the Subcommittee on Courts and Intellectual Property of the Committee on the Judiciary, House of Representatives, One Hundred Fourth Congress, first session, on H.R. 989, H.R. 1248, and H.R. 1734 ... June 1 and July 13, 1995 (1996)

Record Details:

Title:
Copyright term, film labeling, and film preservation legislation : hearings before the Subcommittee on Courts and Intellectual Property of the Committee on the Judiciary, House of Representatives, One Hundred Fourth Congress, first session, on H.R. 989, H.R. 1248, and H.R. 1734 ... June 1 and July 13, 1995
Date:
1996
Publisher:
Washington : U.S. G.P.O. : For sale by the U.S. G.P.O., Supt. of Docs., Congressional Sales Office
Volume:
Copyright term, film labeling, and film preservation legislation : hearings before the Subcommittee on Courts and Intellectual Property of the Committee on the Judiciary, House of Representatives, One Hundred Fourth Congress, first session, on H.R. 989, H.R. 1248, and H.R. 1734 ... June 1 and July 13, 1995
Leaf #:
000511
Language:
English
Subjects:
Copyright -- United States, Copyright -- Motion pictures United States","Motion pictures -- Labeling United States","Motion pictures -- Conservation and restoration United States
Collection:
Books and Government & Law
Format:
Books
Contributor:
Boston Public Library
Sponsor:
Kahle/Austin Foundation and Omidyar Network
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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503 , A Position Paper on THEFILM DISCLOSURE ACT OF 1995 By The American Cinema Editors and ( The Motion Picture Editors Guild. Prepared by Michael Hoggan A.C.E., and Mark Goldblatt A.C.C. May 29, 1995 The following is a statement of position by motion picture editors in support of The Film Disclosure Act of 1995 as sponsored by Senator Alan Simpson of Wyoming and Representative Barney Frank of Massachusetts. The American Cinema Editors is the professional organization whose purpose is to advance the art and science of the editing profession and to increase the entertainment value of motion pictures by attaining artistic pre-eminence and scientific achievement in the creative art of editing. The membership of this organization includes the top editors in the profession and is only offered by invitation after years of qualifying experience. The Motion Picture Editors Guild is the organization that has the responsibility of representation for the contracts and conditions under which editors are required to work and whose membership includes all editors in the film industry. Editors find themselves in a unique position on this issue as they are intimately involved in both the creation of a film as well as the execution of any required alterations to it after it is completed. In the collaborative enterprise of authorship we must account for the efforts of all the other artists involved in the filmmaking process. In our domain we must maximize the use of the cinematic elements that come into our care and mold and manipulate them into an entertaining art form. Conversely, when studios, distribution companies, or TV Networks require us to re-edit films for different