We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
552
Los Angeles Hearing 83
the following procedures for preservation of sound elements. Physical cleaning and/or repairing of original master elements whether magnetic or optical, relabeling and bar coding of those masters, simultaneous transferring of these tracks to both 32-track digital and analog 24-track protection masters, the shipping and protection of masters off the lot to storage facilities.
Older sound masters with unique inconsistencies are processed through the sonic solution system, which is a digital noise removal system. Sonic solution equipment removes distracting noise from the valuable titles without damaging the integrity of the original mix of track. This affords the preservationist the ability to chose many different degrees of noise reduction with minimal adverse effect upon the original soundtrack.
Most importantly, this process allows all this flexibility and improved quality through the digital medium eliminating any additional analog generation loss. Universal itself solely continues to evaluate emerging technology which could assist our sound preservation goals.
Universal Studios has mutually cooperative relatiomhips with various archives, museums, foundations, Ubraries, and educational institutions. Because of this relationship we are able to inquire as to the availability of alternate film elements on our various titles. Occasionally we have found different versions of elements for use in preservation in these institutions. In the past Universal has been cooperative in this manner to outside archives for the betterment of preservation.
A large number of titles are also stored at the UCLA Fihn Archive, Library of Congress, Museum of Modem Art, Museum of Broadcasting, The Academy Foundation, etc. And under our existing a^eement scholars may access titles for research free of charge in a hbraiy or classroom environment. Wtth prior authorization under certain circumstances, screenings are permitted, providing no fee is charged for admission.
Thank you very much.
MR. TABB: Thank you. Mr. Gardiner, Warner Bros.
Statement of PeterGirdiBer, Vke PrcsidcBt, OperatkHni, Corponte Film Video Scrri&rWiinierVnM. ' ^
MR. GARDINER: Thank you for the opportunity to address you, as Warner is very dedicated and committed to preservation and restoration. We believe we're using the best currently available technology with the eye to the previously mentioned future emergence of technologies.
I am going to give you a brief overview of the overall preservation and restoration