The theatre of science; a volume of progress and achievement in the motion picture industry (1914)

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imu to Contgnt0 6g Cf)apter0 distributing institution? — Carl Laemmle, the "nickel" genius, who in a few years became a millionaire and one of the pillars of the film industry — Some interesting film statistics. CHAPTER VI. Pages 118 to 147. Stars of the screen (Bunny, Costello, Kent, and Brooke) who found a new JVIecca in the film studio — Many write, direct and star in photoplays — Sydney Drew's success in new field — Should the photoplayers face the public in the theatres where their artistry is revealed on the screen? — Filming "The Christian" — Why has the Kalem's "From the Manger to the Cross" never been properly presented in the larger cities ? — Showmanship not a requisite to exploit such productions— The splendid record of the Thanhouser Company at its New Rochelle studio — Pearl Sindelar and Mary Pickford prove that the excursion from the film studio to the playhouse stage can be conducted with grace and dignity — Great mistake to take the public into the manufacturer's confidence to "show 'em how it is done." CHAPTER VII. Pages 14.8 to 166. Romaine Fielding, a representative product of a new art, who entered the film studio practically unknown and achieved fame as author, director, star, and producer— Miriam Nesbitt and Lottie Briscoe, both with prolonged stage careers, achieve added fame in the newer field — Francis Bushman, idolized by millions of photoplaygoers all over the world and who won The Ladies' World contest, creates for the screen Louis Tracy's "Our Hero" — Arthur Vaughan Johnson, the Sol Smith Russell of the screen — Lloyd B. Carleton, Lubin director — The Handworths, Octavia and Harry,