The photoplay; a psychological study (1916)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

THE PHOTOPLAY wiih instructive essays, scientific articles, or discussions of the events of the day, the pho- toplay is accompanied by a kinematoscopio rendering of reality in all its aspects. "What- ever in nature or in social life interests the human understanding or human curiosity comes to the mind of the spectator with an incomparable intensity when not a lifeless photograph but a moving picture brings it to the screen. The happenings of the day afford the most convenient material, as they offer the chance for constantly changing programmes and hence the ideal conditions for a novelty seek- ing public. No actors are needed; the dra- matic interest is furnished by the political and social importance of the events. In the early days when the great stages for the pro- duction of photoplays had not been built, the moving picture industry relied in a much' higher degree than today on this supply from the surrounding public life. But while the material was abimdant, it soon became rather iasipid to see parades and processions and orators, and even where the immediate inter- est seemed to give value to the pictures it was for the most part only a local interest and 23