The photoplay; a psychological study (1916)

Page scan 00041 from The photoplay; a psychological study

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
00041
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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THE PHOTOPLAY scene witli a quickness -whicli was unknown before. Yet how slow and clumsy does it remain compared with the routine changes of the photoplays. This changing of back- ground is so easy for the camera that at a very early date this new feature of the plays was introduced. At first it served mostly humorous purposes. The public of the crude early shows enjoyed the flashlike quickness with which it could follow the eloper over the roofs of the town, upstairs and down, into cellar and attic, and jump into the auto and race over the country roads until the culprit fell over a bridge into the water and was caught by the police. This slapstick humor has by no means disappeared, but the rapid change of scenes has meanwhUe been put into the service of much higher aims. The devel- opment of an artistic plot has been brought to possibilities which the real drama does not know, by allowing the eye to follow the hero and heroine continuously from place to place. Now he leaves his room, now we see him pass- ing along the street, now he enters the house of his beloved, now he is led into the parlor, now she is hurrying to the library of her father, now they all go to the garden: ever 32