The photoplay; a psychological study (1916)

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THE PHOTOPLAY performance can be brought to a speed which may strikingly aid the farcical humor of the scene. And from here it was only a step to the performance of actions which could not be carried out in nature at all. At first this idea was made serviceable to rather rough comic effects. The policeman climbed up the solid stone front of a high building. The camera man had no difficulty in securing the effects, as it was only necessary to have the actor creep over a flat picture of the building spread on the floor. Every day brought us new tricks, We see how the magician breaks one egg after another and takes out of each egg a little fairy and puts one after another on his hand where they begin to dance a min- uet. No theater could ever try to match such wonders, but for the camera they are not dif- ficult; the little dancers were simply at a much further distance from the camera and therefore appeared in their Lilliputian size, Eich artistic effects have been secured, and while on the stage every fairy play is clumsy and hardly able to create an illusion, in the film we really see the man transformed into a beast and the flower into a girl. There is no limit to the trick pictures which the skill 34