The photoplay; a psychological study (1916)

Page scan 00045 from The photoplay; a psychological study

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
00045
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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THE PHOTOPLAY / at jBrst tlie real big ship and can convino ourselves of its reality by seeing actual men climbing up the rigging. But when it com^s to the final shipwreck, the movement of the film is stopped and the camera brought near to a little tank where a miniature model of the ship takes up the role of the original and explodes and really sinks to its two-feet- deep watery grave. While, through this power to make impos- sible actions possible, unheard of effects could be reached, all still remained in the outer framework of the stage. The photoplay showed a performance, however rapid or im- usual, as it would go on in the outer world. An entirely new perspective was opened when the managers of the film play introduced the "close-up" and similar new methods. As every friend of the film knows, the close-up is a scheme by which a particular part of the picture, perhaps only the face of the hero or his hand or only a ring on his finger, is great- ly enlarged and replaces for an instant thei whole stage. Even the most wonderful crea- tions, the great historical plays where thou- sands fill the battlefields or the most fantastic caprices where fairies fly over the stage, 36