The photoplay; a psychological study (1916)

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CHAPTEE III^ DEPTH AND MOVEMENT The problem is now quite clear before us. Do the photoplays furnish us only a photo- graphic reproduction of a stage performance; is their aim thus simply to be an inexpensive substitute for the real theater, and is their esthetic standing accordingly far below that of the true dramatic art, related to it as the photograph of a painting to the original can- vas of the master? Or do the moving pictures bring us an independent art, controlled by esthetic laws of its own, working with mental appeals which are fundamentally different from those of the theater, with a sphere of its own and with ideal aims of its own? If this so far neglected problem is ours, we evidently 1 Readers who have no technical interest in physiological psychology may omit Chapter III and turn directly to Chapter IV on Attention. 4 43