The photoplay; a psychological study (1916)

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DEPTH AND MOVEMENT left. As soon as these two views are put into the stereoscope the right eye sees through the prism only the view from the right, the left eye only the view from the left. We know very well that only two flat pictures are be- fore us; yet we cannot help seeing the land- scape in strongly plastic forms. The two dif- ferent views are combined in one presentation of the landscape in which the distant objects appear much further away from us than the foreground. We feel immediately the depth of things. It is as if we were looking at a small plastic model of the landscape and in spite of our objective knowledge cannot rec- ognize the flat pictures in the solid forms which we perceive. It cannot be otherwise, because whenever in practical life we see an object, a vase on our table, as a solid body, we get the impression of its plastic character first of all by seeing it with our two eyes from two different points of view. The per- spective in which our right eye sees the things on our table is different from the perspective for the left eye. Our plastic seeing therefore depends upon this combination of two differ- ent perspective views, and whenever we offer to the two eyes two such one-sided views, they 47