The photoplay; a psychological study (1916)

Page scan 00059 from The photoplay; a psychological study

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
00059
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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THE PHOTOPLAY and its real appearance if we were to deny that we get a certain impression of depth. If several persons move in a room, we gain distinctly the feeling that one moves be- hind another in the film picture. They move toward us and from us just as much as they move to the right and left. "We actually perceive the chairs or the rear wall of the room as further away from us than the per- sons in the foreground. This is not surpris- ing if we stop to think how we perceive the depth, for instance, of a real stage. Let us fancy that we sit in the orchestra of a real theater and see before us the stage set as a room with furniture and persons in it. We now see the different objects on the stage at different distances, some near, some far. One of the causes was just mentioned. We see everything with our right or our left eye from different points of view. But if now we close one eye and look at the stage with the right eye only, the plastic effect does not disappear. The psychological causes for this perception of depth with one eye are essentially the differences of apparent size, the perspective relations, the shadows, and the actions performed in the space. Now 50