The photoplay; a psychological study (1916)

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DEPTH AND MOVEMENT all these factors which help us to grasp the furniture on the stage as solid and substan- tial play their role no less in the room which is projected on the screen. We are too readily inclined to imagine that our eye can directly grasp the different dis- tances in our surroundings. Yet we need only imagine that a large glass plate is put in the place of the curtaia covering the whole stage. Now we see the stage through the glass; and if we look at it with one eye only it is evident that every single spot on the stage must throw its light to our eye by light rays which cross the glass plate at a particular point. For our seeing it would make no difference whether the stage is act- ually behind that glass plate or whether all the light rays which pass through the plate come from the plate itself. If those rays with all their different shades of light and dark started from the surface of the glassi plate, the effect on the one eye would nec- essarily be the same as if they originated at different distances behind the glass. This is exactly the case of the screen. If the pic- tures are well taken and the projection is sharp and we sit at the right distance from 51