The photoplay; a psychological study (1916)

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DEPTH AND MOVEMENT turned to the analysis of our perception of movement. In the last thirty years many re- searches, notably those of Strieker, Exner, Hall, James, Fischer, Stern, Marbe, Lincke, Wertheimer, and Korte have thrown new light on the problem by carefully devised ex- periments. One result of them came quickly into the foreground of the newer view: the perception of movement is an independent experience which cannot be reduced to a simple seeing of a series of different posi- tions. A characteristic content of conscious- ness must be added to such a series of visual impressions. The mere idea of succeeding phases of movement is not at all the original movement idea. This is suggested first by the various illusions of movement. We may believe that we perceive a movement where no actual changes of visual impressions occur. This, to be sure, may result from a mere mis- interpretation of the impression: for instance when in the railway train at the station we look out of the window and believe suddenly that our train is moving, while in reality the train on the neighboring track has started. It is the same when we see the moon floating quickly through the motionless clouds. W© 61