The photoplay; a psychological study (1916)

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DEPTH AND MOVEMENT then turn our eyes to the face of a neighbor, we see at once how the features of the face begin to shrink. It looks as if the whole face were elastically drawn toward its center. If we revolve the disk in the opposite direction, the curves seem to move from the edge of the disk toward the center, becoming smaller and smaller, and if then we look toward a face, the person seems to swell up and every point in the face seems to move from the nose toward the chin or forehead or ears. Our eye which watches such an aftereffect cannot really move at the same time from the center of the face toward both ears and the hair and the chin. The impression of movement must therefore have other conditions than the actual performance of the movements, and above all it is clear from such tests that the seeing of the movements is a unique experi- ence which can be entirely independent from the actual seeing of successive positions. The eye itself gets the impression of a face at rest, and yet we see the face in the one case shrinking, in the other case swelling; in the one case every point apparently moving toward the center, in the other case apparent- ly moving away from the center. The experi- 63