The photoplay; a psychological study (1916)

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DEPTH AND MOVEMENT the mirror on the other side of the stage; the audience sees his suggestive hand movement and the disappearance of the watch and sees twenty feet away the shattering of the mirror. The suggestible spectator cannot help seeing the flight of the watch across the stage. The recent experiments by Wertheimer and Korte have gone into still subtler details. Both experimenters worked with a delicate instrument in which two light lines on a dark ground could be exposed in very quick suc- cession and in which it was possible to vary the position of the lines, the distance of the lines, the intensity of their light, the time ex- posure of each, and the time between the ap- pearance of the first and of the second. They studied all these factors, and moreover the influence of differently directed attention and suggestive attitude. If a vertical line is im- mediately followed by a horizontal, the two together may give the impression of one right angle. If the time between the vertical and the horizontal line is long, first one and then the other is seen. But at a certain length of the time interval, a new effect is reached. We see the vertical line falling over and lying flat like the horizontal line. If the eyes are fixed 67