The photoplay; a psychological study (1916)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

DEPTH AND MOVEMENT the impression of motion is surely more than the mere perception of successive phases of movement. The movement is in these cases not really seen from without, but is super- added, by the action of the mind, to motion- less pictures. The statement that our impression of movement does not result simply from the seeing of successive stages but includes a higher mental act into which the successive visual impressions enter merely as factors is in itself not really an explanation. We have not settled by it the nature of that higher cen- tral process. But it is enough for us to see that the impression of the continuity of tha motion results from a complex mental proc- ess by which the various pictures are held together in the unity of a higher act. Noth- ing can characterize the situation more clear- ly than the fact which has been demonstrated by many experiments, namely, that this feel- ing of movement is in no way interfered with by the distinct consciousness that important phases of the movement are lacking. On the contrary, under certain circumstances we be- come still more fully aware of this apparent motion created by our inner activity when we 69