The photoplay; a psychological study (1916)

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ATTENTION must meet the world of impressions and the psychological analysis has only started when perception of depth and movement alone are considered. If we hear Chinese, we perceive the sounds, but there is no inner response to the words; they are meaningless and dead f oi" us; we have no interest in them. If we hear the same thoughts expressed in our mother tongue, every syllable carries its meaning and message. Then we are readily inclined to fancy that this additional significance which belongs to the familiar language and which is absent from the foreign one is something which comes to us in the perception itself as if the meaning too were passing through the channels of our ears. But psychologically the meaning is ours. In learning the language we have learned to add associations and reac- tions of our own to the sounds which we per- ceive. It is not different with the optical per- ceptions. The best does not come from with- out. Of all internal functions which create the meaning of the world around us, the most central is the attention. The chaos of the surrounding impressions is organized into a real cosmos of experience by our selection of 73