The photoplay; a psychological study (1916)

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ATTENTION tention. The guiding inflneiice here comes from without. The cue for the focusing of our attention lies in the events which we per- ceive. What is loud and shining and unusual attracts our involuntary attention. We must turn our mind to a place where an explosion occurs, we must read the glaring electric signs which flash up. To be sure, the percep- tions which force themselves on our involun- tary attention may get their motive power from our own reactions. Everything which appeals to our natural instincts, everything which stirs up hope or fear, enthusiasm or in- dignation, or. any strong emotional excite- ment will get control of our attention. But in spite of this circuit through our emotional responses the starting point lies without and our attention is accordingly of the involun- tary type. In our daily activity voluntary and involuntary attention are always inter- twined. Our life is a great compromise be- tween that which our voluntary attention aims at and that which the aims of the sur- rounding world force on our involuntary at- tention. How does the theater performance differ in this respect from life ? Might we not say that 6 75