The photoplay; a psychological study (1916)

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
00092
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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ATTENTION same from every corner of the picture palace. The greatest skill and refinement can be ap- plied to make the composition serviceable to the needs of attention. The spectator may not and onght not to be aware that the lines of the backgromid, the hangings of the room, the curves of the furniture, the branches of the trees, the forms of the mountains, help to point toward the figure of the woman who is to hold his mind. The shading of the lights, the patches of dark shadows, the vagueness of some parts, the sharp outlines of others, the quietness of some parts of the picture as against the vehement movement of others all play on the keyboard of our mind and secure the desired effect on our involuntary atten- tion. But if all is admitted, we still have not touched on the most important and most char- acteristic relation of the photoplay pictures to the attention of the audience; and here we reach a sphere in which any comparison with the stage of the theater would be in vain. What is attention? What are the essential processes in the mind when we turn our at- tention to one face in the crowd, to one little flower in the wide landscape? It would be 83