The photoplay; a psychological study (1916)

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THE PHOTOPLAY wrong to describe the process in the mind by reference to one change alone. If we have to give an account of the act of attention, as seen by the modern psychologist, we ought to point to several coordinated features. They are not independent of one another but are closely interrelated. We may say that what- ever attracts our attention in the sphere of any sense, sight or sound, touch or smell, surely becomes more vivid and more clear in our consciousness. This does not at all mean that it becomes more intense. A faint light to which we turn our attention does not be- come the strong light of an incandescent lamp. No, it remains the faint, just percepti- ble streak of lightness, but it has grown more impressive, more distinct, more clear in its details, more vivid. It has taken a stronger hold of us or, as we may say by a metaphor, it has come into the center of our conscious- ness. But this involves a second aspect which is surely no less important. While the attended impression becomes more vivid, all the other impressions become less vivid, less clear, less distinct, less detailed. They fade away. We no longer notice them. They have no hold 84