The photoplay; a psychological study (1916)

Page scan 00099 from The photoplay; a psychological study

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
00099
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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THE PHOTOPLAY room. But suddenly, only for three seconds, all the others in the room have disappeared, the bodies of the lovers themselves have faded away, and only his look of longing and her smile of yielding reach out to us. The close-up has done what no theater could have offered by its own means, though we might have approached the effect in the theater performance if we had taken our opera glass ■ and had directed it only to those two heads. But by doing so we should have emancipated ourselves from the offering of the stage pic- ture, that is, the concentration and focusing were secured by us and not by the perform- ance. In the photoplay it is the opposite. Have we not reached by this analysis of the close-up a point very near to that to which the study of depth perception and movement perception was leading? "We saw that the moving pictures give us the plastic world and the moving world, and that nevertheless the depth and the motion in it are not real, unlike the depth and motion of the stage. We find now that the reality of the action in the photo- play in still another respect lacks objective independence, because it yields to our sub- jective play of attention. Wherever our at- 90