The photoplay; a psychological study (1916)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

MEMORY AND IMAGINATION than merely the light and sound sensations which fall on the eye and ear at that mo- ment. He may be entirely fascinated by the actions on the stage and yet his mind may be overflooded with other ideas. Only one of their sources, but not the least importanitl one, is the memory. Indeed the action of the memory brings to the mind of the audience ever so much which gives fuller meaning and ampler setting to every scene—^yes, to every word and move- ment on the stage. To think^of the most triv- ial case, at every point of the drama we must remember what happened in the previous scenes. The first act is no longer on the stage when we see the second. The second alone is now our sense impression. Yet this second act is in itself meaningless if it is not supported by the first. Hence the first must somehow be in our consciousness. At least in every important scene we must remember those situations of the preceding act which can throw light on the new developments. We see the young missionary in his adven- tures on his perilous journey and we remem- ber how in the preceding act we saw him in his peaceful cottage surrounded by the love 93