The photoplay; a psychological study (1916)

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MEMORY AND IMAGINATION future as well as the interval of the past and slip the day twenty years hence between this minute and the next. In short, it can act as our imagination acts. It has the mobility of our ideas which are not controlled by the physical necessity of outer events but by the psychological laws for the association of ideas. In our mind past and future become intertwined with the present. The photo- play obeys the laws of the mind rather than those of the outer world. But the play of memory and imagination can have a still richer significance in the art of the film. The screen may produce not only what we remember or imagine but what the persons in the play see in their own minds. The technique of the camera stage has suc- cessfully introduced a distinct form for this kind of picturing. If a person in the scene remembers the past, a past which may be en- tirely imknown to the spectator but which is living in the memory of the hero or heroine, then the former events are not thrown on the screen as an entirely new set of pictures, but they are connected with the present scene by a slow transition. He sits at the fireplace in his study and receives the letter with the 97