The photoplay; a psychological study (1916)

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THE PHOTOPLAY shows the fancy of the young fellow in the scene really living. From here we see the perspective to the fantastic dreams which the camera can fixate. Whenever the theater introduces an imagined setting and the stage clouds sink over the sleeper and the angels fill the stage, the beauty of the verses must excuse the short- comings of the visual appeal. The photoplay artist can gain his triumphs here. Even the vulgar effects become softened by this set- ting. The ragged tramp who climbs a tree and falls asleep in the shady branches and then lives through a reversed world in which he and his kind feast and glory and live in palaces and sail in yachts, and, when the boiler of the yacht explodes, falls from the tree to the ground, becomes a tolerable spec- tacle because all is merged in the unreal pic- tures. Or, to think of the other extreme, gigantic visions of mankind crushed by the Juggernaut of war and then blessed by the angel of peace may arise before our eyes with all their spiritual meaning. Even the whole play may find its frame in a setting which offers a five-reel perform- ance as one great imaginative dream. In the 102