The photoplay; a psychological study (1916)

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THE PHOTOPLAY ifoldness of parallel currents with their end- less interconnections is the true substance of our understanding. It may be the task of a particular art to force all into one steady development between the walls of one room, but every letter and every telephone call to the room remind us even then that other de- velopments with other settings are proceeding in the same instant. The soul longs for this whole interplay, and the richer it is in con- trasts, the more satisfaction may be drawn from our simultaneous presence in many quarters. The photoplay alone gives us our chance for such omnipresence. We see the banker, who had told his yoimg wife that he has a directors' meeting, at a late hour in a cabaret feasting with a stenographer from his office. She had promised her poor old parents to be home early. "We see the gor- geous roof garden and the tango dances, but our dramatic interest is divided among the frivolous pair, the jealous young woman in the suburban cottage, and the anxious old people in the attic. Our mind wavers among the three scenes. The photoplay shows one after another. Yet it can hardly be said that we think of them as successive. It is as if we 104