The photoplay; a psychological study (1916)

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THE PHOTOPLAY the service of memories, but it can cut off in the service of suggestion. Even if the po- lice did not demand that actual crimes and suicides should never be shown on the screen, for mere artistic reasons it would be wiser to leave the climax to the suggestion to which the whole scene has led. There is no need of bringing the series of pictures to its logical end, because they are pictures only and not the real objects. At any instant the man may disappear from the scene, and no automobile can race over the ground so rapid- ly that it cannot be stopped just as it is to crash into the rushing express train. The horseback rider jumps into the abyss; we see him fall, and yet at the moment when he crashes to the ground we are already in the midst of a far distant scene. Again and agaia with doubtful taste the sensuality of the nickel audiences has been stirred up by sug- gestive pictures of a girl undressing, and when in the intimate chamber the last gar- ment was touched, the spectators were sud- denly in the marketplace among crowds of people or in a sailing vessel on the river. The whole technique of the rapid changes of scenes which we have recognized as so char- 110