The photoplay; a psychological study (1916)

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
000124
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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EMOTIONS up may show. Yet there remains too much \ \ which mere art cannot render and which life alone produces, because the consciousness of the unreality of the situation works as a psy- chological inhibition qn the automatic instinc- tive responses. The actor may artificially tremble, or breathe heavily, but the strong pulsation of the carotid artery or the moist- ness of the skin from perspiration will not, come with an imitated emotion. Of course, that is true of the actor on the stage, too. But the content of the words and the modu- lation of the voice can help so much that the shortcomings of the visual impression are forgotten. To the actor of the moving pictures, on the other hand, the temptation offers itself to overcome the deficiency by a heightening of the gestures and of the facial play, with the result that the emotional expression becomes exaggerated. No friend of the photoplay can deny that much of the photoart suffers from this almost unavoidable tendency. The quick marchlike rhythm of the drama of the reel favors this artificial overdoing, too. The rapid alternation of the scenes often seems to demand a jumping from one emotional climax 115