The photoplay; a psychological study (1916)

Page scan 000126 from The photoplay; a psychological study

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
000126
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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EMOTIONS expressive gesture in one decisive moment of the stage performance. He can not only re- hearsOj but he can repeat the scene before the camera until exactly the right inspiration comes, and the manager who takes the close- up visage may discard many a poor pose be- fore he strikes that one expression in which the whole content of the feeling of the scene is concentrated. In one other respect the pro- ducer of the photoplay has a technical advan- tage. More easily than the stage manager of the real theater he can choose actors whose natural build and physiognomy fit the role and predispose them for the desired expres- sion. The drama depends upon professional actors; the photoplay can pick players among any group of people for specific roles. They need no art of speaking and no training in delivery. The artificial make-up of the stage actors in order to give them special character is therefore less needed for the screen. The expression of the faces and the gestures must gain through such natural fitness of the man for the particular role. If the photoplay needs a brutal boxer in a mining camp, the producer will not, like the stage manager, try to transform a clean, neat, professional lir